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February 26, 2026, 10:49:54 PM *
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 1 
 on: Today at 07:52:20 PM 
Started by PaulT - Last post by Nick
Rush!
Son and I shall be heading for O2 Arena on the Tuesday  Fez
I last saw them at the gig in Birmingham that became one of their live albums (A Show of Hands?) Time before that was the Signals tour, and the time before that was the Exit Stage Left tour - the first proper gig I ever went to.

I am very much looking forward to this!

 2 
 on: Today at 05:46:34 PM 
Started by PaulT - Last post by davidmjs


Somewhat appalled at myself, but I appear to actually be going to see Rush after all.  The Sunday at the Co-op.  As far away from the stage as it is practically possible to be.  £112.  Utterly ridiculous, but what the hell...I can pretend to be 16 again (my age the last time I saw them)...


Good for you David, it will be a bit different from last tome you saw them, but I am sure you will love it.

There's an interview Geddy & Alex did with Planet Rock this week on YouTube, well worth a watch and gives away a few secrets about what to expect. Also, did you see that the Who's keyboard player / backing vocalist is joining them so that Geddy can concentrate on bass and vocals.


I was somewhat distressed to be told there have been 10 albums since the last one I listened to (Signals).... Gulp Wink Grin

 3 
 on: Today at 04:38:29 PM 
Started by PaulT - Last post by SteveT

Somewhat appalled at myself, but I appear to actually be going to see Rush after all.  The Sunday at the Co-op.  As far away from the stage as it is practically possible to be.  £112.  Utterly ridiculous, but what the hell...I can pretend to be 16 again (my age the last time I saw them)...


Good for you David, it will be a bit different from last tome you saw them, but I am sure you will love it.

There's an interview Geddy & Alex did with Planet Rock this week on YouTube, well worth a watch and gives away a few secrets about what to expect. Also, did you see that the Who's keyboard player / backing vocalist is joining them so that Geddy can concentrate on bass and vocals.

 4 
 on: Today at 03:29:16 PM 
Started by koho (Koen) - Last post by ColinB
Makes me think of that John Peel quote...

“Somebody was trying to tell me that CDs are better than vinyl because they don’t have any surface noise. I said, ‘Listen, mate, *life* has surface noise”

 Grin

 5 
 on: Today at 01:16:41 PM 
Started by koho (Koen) - Last post by koho (Koen)
It's sad isn't it.
Luckily shiny CD gems are still made. Folk it ain't but I laid my hands on a few Thin Lizzy box sets which are fantastic - as items, and in sound. However I wonder how many they make. These go for collector rates within months of release. Yet, they feel like last of the Mohicans.
At my Roots aan de Zaan gigs whenever I book an act also selling vinyl at their merch table, the LP's are the things that sell. It never fails to puzzle me 😂




 6 
 on: Today at 12:27:35 PM 
Started by PaulT - Last post by davidmjs
Somewhat appalled at myself, but I appear to actually be going to see Rush after all.  The Sunday at the Co-op.  As far away from the stage as it is practically possible to be.  £112.  Utterly ridiculous, but what the hell...I can pretend to be 16 again (my age the last time I saw them)...

 7 
 on: Today at 11:54:31 AM 
Started by davidmjs - Last post by davidmjs
If anybody is interested in the songbook, here is the listing on eBay.  Happy to deal either on there or directly if anybody here wants it.

https://www.ebay.co.uk/itm/257379839039

 8 
 on: Yesterday at 11:21:35 PM 
Started by Will S - Last post by John From Austin


Sunday night I saw Warren Haynes at the Paramount Theater. He played solo, without a band, for two hours. He mixed Allman Brothers and Gov't Mule tunes with solo compositions and a smattering of well-chosen covers, including a magnificent rendition of "He Ain't Give You None" (sounding very much like Van Morrison). Because of the format, we didn't get a lot of guitar solos. This was clearly his intention, though maybe a few shredders in the audience would have been disappointed. Some of the shows from this tour are streaming on nugs.net, so I recommend a listen.



Did he play any Grateful Dead?


Indeed he did! He opened with “Cassidy” by Bob Weir and closed with a GD song whose title I forget but is at setlist.fm

 9 
 on: Yesterday at 05:16:58 PM 
Started by Will S - Last post by davidmjs

Sunday night I saw Warren Haynes at the Paramount Theater. He played solo, without a band, for two hours. He mixed Allman Brothers and Gov't Mule tunes with solo compositions and a smattering of well-chosen covers, including a magnificent rendition of "He Ain't Give You None" (sounding very much like Van Morrison). Because of the format, we didn't get a lot of guitar solos. This was clearly his intention, though maybe a few shredders in the audience would have been disappointed. Some of the shows from this tour are streaming on nugs.net, so I recommend a listen.



Did he play any Grateful Dead?

 10 
 on: Yesterday at 04:23:00 PM 
Started by Will S - Last post by John From Austin
Sunday night I saw Warren Haynes at the Paramount Theater. He played solo, without a band, for two hours. He mixed Allman Brothers and Gov't Mule tunes with solo compositions and a smattering of well-chosen covers, including a magnificent rendition of "He Ain't Give You None" (sounding very much like Van Morrison). Because of the format, we didn't get a lot of guitar solos. This was clearly his intention, though maybe a few shredders in the audience would have been disappointed. Some of the shows from this tour are streaming on nugs.net, so I recommend a listen.

Monday night we saw Emmylou Harris at the same venue. Although it was billed as an evening with EH, it was in reality a guitar circle with Emmylou, Verlon Thompson and Shawn Camp, performing the music of Guy Clark. I was unfamiliar with Verlon and Shawn, both of whom are skilled players and singers with long-standing connections to Guy. Their stories and choices of material were clearly honed over years of performance. Emmylou was kind of tacked on. She added high harmony to a number of songs, told stories of her own, and contributed verses to some tunes (aided by lyric sheets). Altogether, it was a loving and musically rewarding tribute to a mercurial songwriter.

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