Off to London tonight for the second time this week.

A couple of nights ago we went up to Shepherds Bush Empire to see Kate Stables, Jesca Hoop and others in an excellent tribute to Joni Mitchell. (Should've gone in Recent Gigs, sorry!)

Tonight it's Chris T-T at the 100 Club for a one-off band performance. Will be quite lively I suspect.

Cheers

Nick

N'faly Kouyate in Stroud on Sunday. Hope I can get a copy of the latest (last?) Afrocelts album from the merch...

Some very hard edged  blues - 'Come Back Baby'.

A 15 minute version  of 'Wooden Ships'.

A harsh sound intermittently on other tracks.

Don't get me wrong, i think the set is a great listen-  but one has to take the rough with the smooth. 🙂

I've always thought the Airplane's set was the heart of the festival - and my favourite musical set.  Can you define the 'gruelling'?

Jefferson Airplane : Sunday August 17, 1969, Woodstock (Real Gone 3LP,  Blue/white vinyl, 2024).

Only the 2nd time i've played this in full .  By turns inspired, gruelling, beautiful,  this is the Airplane's full set played on that day.  

I'm traipsing through the Tracks Of My Years on my blog at the moment.

I won't post pointers here every time I do but keep an eye on https://www.facebook.com/AndyLeslieBlog and you may find some tracks you {don't} know and/or {dis-} like.

Here's one post for a sampler for you.

20251124 - Tracks Of My Years 022 - Koyaanisqatsi - Philip Glass

Koyaanisqatsi is a quite incredible documentary film, with music composed by Philip Glass, cinematography by Ron Fricke, directed and produced by Godfrey Reggio.

Described as an "essay in images and sound on the state of American civilization", the film comprises a montage of stock footage, slow motion, and time-lapse visuals of natural and urban environments across the United States. The title comes from the Hopi word koyaanisqatsi, meaning "life out of balance". It is the first film in the Qatsi trilogy, which was followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature and technology. All three films are amazing, as is the accompanying music.

Koyaanisqatsi is structured into 13 passages, which are demarcated by dramatic musical shifts in the score. It opens with pictographs from the Great Gallery of Horseshoe Canyon, followed by a close-up of a rocket launch, while a deep bass voice chants the film's title. The images dissolve into a sequence featuring landscapes of geological formations and dunes in the deserts of the American Southwest. Time-lapse imagery shows shadows quickly moving across landscapes, and bats flying out of a cave. Clouds move in time-lapse footage, which is followed by a waterfall, then ocean waves in slow-motion. This segues into footage of resources: reservoirs, cultivated flowers, surface mining, electrical power infrastructure, evaporation ponds, oil drilling, blast furnaces, and concludes with a nuclear weapons test forming a mushroom cloud over the desert.

The following sequence begins with people sun bathing on a beach next to a power plant, followed by people touring a power plant. The next images show clouds reflected on the façade of a glass skyscraper, Boeing 747 aircraft taxiing at an airport, cars driving on urban freeways, military vehicles and aircraft, and air-to-ground weaponry being deployed. The film continues with modern skyscrapers in New York City, followed by areas of urban decay. Dilapidated buildings and other abandoned infrastructure undergo demolition and form large dust clouds. The sequence concludes with a coda featuring time-lapse footage of clouds and sunlight reflected in façades of glass skyscrapers in time-lapse, followed by people walking through busy city streets in slow-motion.

The next sequence begins with an introduction that shows time-lapse footage of sunsets reflected in the façades of skyscrapers, wide shots of cities at night with vehicle lights moving fast along streets and freeways, and the moon disappearing behind a building. The rhythm of the music increases while time-lapse footage in cities show vehicles driving, crowds of people walking, shopping centres, factories, food processing plants, and channel surfing. As the sequence comes to a close, the music and visuals are at their fastest, until the sequence ends and the music goes silent.

Close-up shots of microchips are interspersed with satellite photography of city grids. The penultimate sequence features various individuals of all social classes, some of whom look directly into the camera, accompanied by Hopi prophecies sung in the soundtrack.

The final sequence features a rocket being launched and exploding shortly after take-off; the camera follows its debris as it falls back towards Earth in slow motion. Many have mistaken this for footage of the Challenger disaster; however, the film predates that by 4 years.

I urge you to find the full-scale high definition video and view it. It may well blow your mind, as it did, mine.

H/T Wikipedia for some content in this post.

Koyaanisqatsi
  

There's a few Robin & Bina Williamson shows next Autumn...

As well as the sold out London shows, there's also one showing at Canolfan Bethlehem, Newport, Pembrokeshire on 26 Sep.

https://www.pigswhiskermusic.co.uk/dates.htm

Not quite made it onto Pigs Whisker yet is this one

Hereford De Koffie Pot Sat 17 Oct 26 organised by those nice Weirdshire chaps (Sproatley Smith)

https://wegottickets.com/event/682942/#

Really great news! The 2025 Cropredy was brilliant and the smaller capacity worked well and gave it the feel of earlier years. Roll on August...!

Focus at Lowther Pavilion, Lytham. Played all I wanted to hear and more besides. Very fine musicians and an extremely enjoyable evening. Thijs van Leer is like an eccentric great uncle, whilst for 79 Pierre van der Linden is amazing.

For remembrance.
Beautifully sung by Simon...I must admit its an album I didn't pay much attention to  

https://www.youtube.com/watch?v=ifVYtH1d3uw&list=PLsZ9HN1pj63bxQLR-KM58D17xNh_bF133&index=8