I might be wrong (please correct me if so) but I'm sure I remember reading somewhere, that when Beryl Marriott recorded "Weave the Mirror", there was some surprise that Swarb wasn't involved but she explained that she used Chris instead because it was "her" album and it had to reflect her own style. Something along those lines anyway. That certainly didn't appear to cause any lasting upset with Swarb, as he wrote a tune called "Mrs Marriott" in her honour, which is on the much later "Straws in the Wind" album with Martin Carthy.
Maybe, to some extent, it was a similar situation with Richard?

