Last year's album of the year was bloody obvious to me from the very first listen (Cardiacs - LSD).
This year's? The same. If it ain't this I'll eat my flat cap....
Just marvellous....
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1
on: Yesterday at 06:42:48 PM
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| Started by Alan2 - Last post by davidmjs | ||
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Last year's album of the year was bloody obvious to me from the very first listen (Cardiacs - LSD).
This year's? The same. If it ain't this I'll eat my flat cap.... Just marvellous.... |
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2
on: Yesterday at 02:55:38 PM
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| Started by davidmjs - Last post by davidmjs | ||
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Is anybody after a copy of Maart's Fairport songbook?
I've just bought a job lot FC collection and there's one of these in there. Will check it out when I receive the package next week, but if you are wanting one drop me a line. D |
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3
on: February 20, 2026, 10:39:18 AM
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| Started by Will S - Last post by Will S | ||
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Interesting statement from The Magpie Arc today:
Just a heads up everyone, all of our CD’s and vinyl are now off Amazon so if anyone is looking and you see “items unavailable” it’s only unavailable from there, you can still buy our new album Gil Brenton and all our other albums on CD and vinyl from us directly at our webshop here…. https://themagpiearc.company.site/ And on download from Bandcamp here… https://themagpiearc.bandcamp.com/ Why? It’s not some grand statement, just simply that for every CD we sell there at £12 they are now taking over 50% of that as their cut and the old “but you’ll be in a shop window in front of hundreds of millions of potential buyers and new fans” line is complete nonsense, much the same as that other thief Spotify. Also, and this is the biggie, a hugely increasing number of rogues are buying there with the sole intention of “returning an item” to get a refund from the seller, which Amazon automatically comply with, and then tell the buyer to keep the item or give it away as it’s too much hassle for them to administer. And then said rogues are straight off to Music Magpie to exchange the free CD or album for cash. It’s just another kick in the teeth for artists (and indeed sellers of all kinds) to deal with and we’re not going to let that happen to us any more. |
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4
on: February 19, 2026, 07:06:55 PM
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| Started by Will S - Last post by Shane (Skirky) | ||
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My general impression has been that Swarb was a star or co-star in his projects, and did not tend to serve as anyone’s sideman. An example of this would be his withdrawal from the 2009 Witchseason Weekend. His statement referenced his preference not to be an accompanist for a string of guest singers. I think this is very much the crux of the matter. If you’re helming a project you need people that are going to turn up on time, take advice on board and subdue their ego long enough to make the whole thing turn out to the best of the leader’s vision. With the best will in the world, I don’t think anyone would suggest Swarb as the first person to fit that profile. (See, for example, RT playing lead guitar for Clive Gregson on the OGWT or Danny Thompson’s many, many contributions to other folks’ work or, for that matter, Aly Bain’s ensemble playing on the Celtic Connections series). The late-period RT/Swarb BBC TV session has been previously referenced as possibly being a generous TV-related payday for an old comrade who had found himself on his uppers. |
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5
on: February 19, 2026, 04:52:08 PM
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| Started by Will S - Last post by davidmjs | ||
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My general impression has been that Swarb was a star or co-star in his projects, and did not tend to serve as anyone’s sideman. An example of this would be his withdrawal from the 2009 Witchseason Weekend. His statement referenced his preference not to be an accompanist for a string of guest singers. Hmmmm. Think it was a bit more personal than that. Basically he told Joe Boyd (never a big Swarb fan) to **** off. |
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6
on: February 19, 2026, 04:42:53 PM
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| Started by Will S - Last post by John From Austin | ||
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My general impression has been that Swarb was a star or co-star in his projects, and did not tend to serve as anyone’s sideman.
An example of this would be his withdrawal from the 2009 Witchseason Weekend. His statement referenced his preference not to be an accompanist for a string of guest singers. |
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7
on: February 19, 2026, 12:27:56 PM
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| Started by Will S - Last post by Amethyst (Jenny) | ||
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They played a brilliant set together at a festival near Leicester ….cant remember the name, sorry. I was there… I’m pretty sure it was at Conkers off the A40, many years ago now. I sometimes see a video of this gig on fbook. |
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8
on: February 19, 2026, 11:42:25 AM
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| Started by Will S - Last post by Delfini (Diane) | ||
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They played a brilliant set together at a festival near Leicester ….cant remember the name, sorry.
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9
on: February 19, 2026, 10:26:04 AM
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| Started by Will S - Last post by markwood | ||
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I might be wrong (please correct me if so) but I'm sure I remember reading somewhere, that when Beryl Marriott recorded "Weave the Mirror", there was some surprise that Swarb wasn't involved but she explained that she used Chris instead because it was "her" album and it had to reflect her own style. Something along those lines anyway. That certainly didn't appear to cause any lasting upset with Swarb, as he wrote a tune called "Mrs Marriott" in her honour, which is on the much later "Straws in the Wind" album with Martin Carthy.
Maybe, to some extent, it was a similar situation with Richard? |
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10
on: February 19, 2026, 09:23:53 AM
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| Started by Alan2 - Last post by Alan2 | ||
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I should investigate that. Thanks Alan ![]() It's not an inexpensive item but it's been well received by fans. |
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