Only been to the one so I really can't do a deep analysis. But the analysis above is probably very fair, but I wonder if the band would be damned if they went too far in the other direction-only booking acts guaranteed to bring a youth movement in, to get grumbles from people who like their music of a certain vintage. That doesn't apply to the people on this forum I hasten to add. Here is a diverse range of music fans, but using people from my own age bracket as a sampler, most would not be a fan of newer music in general. The new album from an estabilished artist, yes. But a group 2 or 3 albums in...not so sure. I fear the other aspect is that Simon's famous quote about why shouldn't there be a Fairport in 50 or 60 years from now has never happened either, so the steady as she goes approach (much as I like it musically) is not going to shake things up.
The day it tried to adapt to appeal to a very young demographic, it wouldn't be Cropredy any more.
It did appeal to a younger demographic. I was 27 at the first Cropredy. I’m 72 now . It’s just that younger demographic has aged with the band.,
Absolutely…I was about 30ish when I first went. It was very much smaller and everyone sat on blankets…We couldn’t manage that now, not all weekend, for sure! The trouble is, as I mentioned before sometime, Cropredy might not give many of today’s younger people what they want, in terms of cool stuff to post on Insta!
There are many more trendy festivals around, so many festivals have popped up since those days it’s a bit of a saturated market and I guess artists can take their pick of the most luctrative.